The origin of the word, "mistletoe" is just as complex and obscure as the botany and folklore surrounding the mistletoe plants. The word originated from the perception in pre-scientific Europe that mistletoe plants sprang spontaneously from the excrement of the "mistel" (or "missel") thrush. People noticed that mistletoe plants would often appear on a twig where these birds had left their excrement.
The "-toe" suffix was originally "tan" and meant "twig". Mistle-toe, then, is literally the "twig of the mistel thrush." Some scholars extend the etymological dissection further, pointing out that the name of the mistel thrush appears to derive from an Indo-European root for excrement; thus they argue that mistletoe is literally the "dung twig." Not exactly a word origin in keeping with the romantic reputation of mistletoe!
We now know that the seeds of European mistletoe plants germinate only after being digested and passed through the guts of birds. Observation has confirmed that the berry of mistletoe plants is a favorite treat of the mistel thrush. So while their reasoning was somewhat askew, the ancients were justified in naming mistletoe plants after the bird most responsible for its dissemination.
Mistletoe has also found fame in literature. Two of the better-known books of the Western tradition feature a particular mistletoe shrub -- a mistletoe shrub given the name of "golden bough."
In Virgil's "Aeneid," the Roman hero, Aeneas, makes use of this "golden bough" at a critical juncture of the book. The "golden bough" was to be found on a special tree in the grove sacred to Diana, at Nemi; a tree containing a mistletoe plant. The prophetess Sibyl instructed Aeneas to pluck this magic bough before attempting his descent into the underworld. Sibyl knew that, with the aid of such magic, Aeneas would be able to undertake the perilous venture with confidence. Two doves guide Aeneas to the grove and alight upon the tree, "from which shone a flickering gleam of gold. As in the woods in the cold winter the mistletoe -- which puts out seed foreign to its tree -- stays green with fresh leaves and twines its yellow fruit about the boles; so the leafy gold seemed upon the shady oak, so this gold rustled in the gentle breeze." ("Aeneid" VI, 204-209).
The title of Sir James G. Frazer's anthropological classic, "The Golden Bough" (1922), derives from that scene in Virgil's Aeneid. But how, you might ask, can something green like mistletoe become associated with the color gold? According to Frazer, mistletoe could become a "golden bough" because when the plants die and wither they acquire a golden hue. The perception of gold in the dried leaves of mistletoe plants was probably influenced by folklore in which it was said that mistletoe is brought to earth when lightning strikes a tree in a blaze of gold
The Danes who visited Cornwall in the 7th century brought with them their version of the winter solstice tale:
The god of light, joy, purity, beauty, innocence, and reconciliation. Son of Odin and Frigg, he was loved by both gods and men and was considered to be the best of the gods. He had a good character, was friendly, wise and eloquent, although he had little power. His wife was Nanna daughter of Nep, and their son was Forseti, the god of justice. Balder's hall was Breidablik ("broad splendor").
Most of the stories about Balder concern his death. He had been dreaming about his death, so Frigg extracted an oath from every creature, object and force in nature (snakes, metals, diseases, poisons, fire, etc.) that they would never harm Balder. All agreed that none of their kind would ever hurt or assist in hurting Balder. Thinking him invincible, the gods enjoyed themselves thereafter by using Balder as a target for knife-throwing and archery.
The malicious trickster, Loki, was jealous of Balder. He changed his appearance and asked Frigg if there was absolutely nothing that could harm the god of light. Frigg, suspecting nothing, answered that there was just one thing: a small tree in the west that was called mistletoe. She had thought it was too small to ask for an oath. Loki immediately left for the west and returned with the mistletoe. He tricked Balder's blind twin brother Hod into throwing a mistletoe fig (dart) at Balder. Not knowing what he did, Hod threw the fig, guided by Loki's aim. Pierced through the heart, Balder fell dead.
While the gods were lamenting Balder's death, Odin sent his other son Hermod to Hel, the goddess of death, to plead for Balder's return. Hel agreed to send Balder back to the land of the living on one condition: everything in the world, dead or alive, must weep for him. And everything wept, except for Loki, who had disguised himself as the witch Thokk. And so Balder had to remain in the underworld.
The others took the dead god, dressed him in crimson cloth, and placed him on a funeral pyre aboard his ship Ringhorn, which passed for the largest in the world. Beside him they lay the body of his wife Nanna, who had died of a broken heart. Balder's horse and his treasures were also placed on the ship. The pyre was set on fire and the ship was sent to sea by the giantess Hyrrokin.
Loki did not escape punishment for his crime and Hod was put to death by Vali, son of Odin and Rind. Vali had been born for just that purpose. After the final conflict (Ragnarok), when a new world arises from its ashes, both Balder and Hod will be reborn.
Mistletoe became an early version of the peace pipe: When enemies meet under mistletoe in the forest, they have to lay down their arms and observe a truce until the next day.
The demise of Baldur, a vegetation deity in the Norse myths, brought winter into the world, although the gods did eventually restore Baldur to life. After the gods restored Balder to life, Frigga pronounced the mistletoe sacred, ordering that from now on it should bring love rather than death into the world. Happily complying with Frigga's wishes, any two people passing under the plant from now on would celebrate Baldur's resurrection by kissing under the mistletoe.
The Christmas custom of kissing underneath a branch of mistletoe goes back at least hundreds of years, certainly to before the 17th century. Strictly speaking, kissing under the mistletoe was never to get out of hand, and often nearly did. To prevent abuses, the custom was defined as a man might steal a kiss under the hanging branch, but when he did, one berry was to be plucked from the plant and discarded. Once the berries were gone, the kissing charm of the mistletoe branch was spent, although that aspect of the custom is rarely recalled in these days. During the 19th century abuses of the kissing custom were prevalent, according to a verse called “The Mistletoe Bough.”
by Thomas Haynes Bayley
The mistletoe hung in the castle hall,
The holly branch shone on the old oak wall;
And the baron's retainers were blithe and gay,
And keeping their Christmas holiday.
The baron beheld with a father's pride
His beautiful child, young Lovell's bride;
While she with her bright eyes seemed to be
The star of the goodly company.
'I'm weary of dancing now," she cried;
"Here, tarry a moment-I'll hide, I'll hide!
And, Lovell, be sure thou'rt first to trace
The clew to my secret lurking place."
Away she ran-and her friends began
Each tower to search, and each nook to scan;
And young Lovell cried, "O, where dost thou hide?
I'm lonesome without thee, my own dear bride."
They sought her that night, and they sought her next day,
And they sought her in vain while a week passed away;
In the highest, the lowest, the loneliest spot,
Young Lovell sought wildly-but found her not.
And years flew by, and their grief at last
Was told as a sorrowful tale long past;
And when Lovell appeared the children cried,
"See! the old man weeps for his fairy bride."
At length an oak chest, that had long lain hid,
Was found in the castle-they raised the lid,
And a skeleton form lay moldering there
In the bridal wreath of that lady fair!
0, sad was her fate!-in sportive jest
She hid from her lord in the old oak chest.
It closed with a spring!-and, dreadful doom,
The bride lay clasped in her living tomb!
This pre-Christian custom has now almost died out, but we still use candles in decoration.
(quoted from KIDS ARK)


































My plan is to turn Santa up and see what will shake out of the jolly old elf's capacious pockets. With tongue lodged firmly in cheek, but in all seriousness nonetheless, here goes: 











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