In the early 1970s I worked as a crisis intervention counselor at a free clinic. My colleagues, some friends, and I hatched a plan to buy some remote land on an Alaskan lake with only fly-in access, and build an intentional community. The only thing we lacked was the financing.
This was during the economic boom times of construction of the Trans-Alaska Pipeline. Optimistically, we explored the possibilities and discussed the fine points of our plan. We wrote grant proposals. When nothing came of them we talked of investing in real estate, fixing up and trading up. A few of us put some money down on properties. Then came the bust after the boom. Some of us were working two crappy jobs just to make ends meet. Most of us lost what we had invested in the land when we couldn’t keep up payments.
Our little group disintegrated. Some died, some moved away, and others became disillusioned with the dream or just too busy trying to survive. I never gave up on the idea, even while I was dumpster diving for food and fixable things I could sell at flea markets for enough money to keep a roof over my head. I thought that one way I might make the money to make the wilderness retreat center happen would be to write a book about a community of people running an intentional community in the wilderness.
I knew that the best fiction is character-driven, so I started with a group of people. The core group lived in a remote Alaskan healing center, and they had connections with other similar communities on other continents. They became real to me and began to develop a story. I carried notebooks with me wherever I went, so I’d have the ideas there ready to type up whenever I could afford to buy a typewriter. I had filled 3 notebooks and started a fourth when my little house trailer was burglarized. Along with my five marijuana plants, camera, tape recorder, tapes and other items with some value, the thief took the notebooks.
That was a setback, but it didn’t stop me. I found an old manual portable typewriter in a dumpster, straightened some bent parts so that it worked after a fashion, and started setting down dialogue for the first time. By then, my characters had lives of their own and one of them went off into a snowstorm and met up with an ET visitor to Earth, who eventually pulled in several other alien races. The story got even more interesting when a serial killer started stalking the psychic members of our global technomadic community. I really got into it, to the extent that I started dreaming extended sequences — something I still do.
I’d work on it in my head a lot of the time, make notes in the ever-present spiral notebook, then in between working for a living, followed by having a baby, being a mother who broke land, built greenhouses, made a garden, tended it, chased a wild little boy around, foraged for food and worked as a psychic at fairs and festivals in summer, kept the wood box filled and a fire going in winter… sometimes I’d get out the typewriter and fill a few pages with story line and dialogue. Then I started doing psychic readings by mail and the typewriter had other things to do, earning money for our subsistence.
The boy was between elementary school and middle school, and the Old Fart had moved in with us, when the Kid and I went south for a winter on our Big Field Trip. When I got home the following spring, I found no sign of my box of manuscript pages. Either the old drunk destroyed them for spite or they were some of the “papers” he said burned up in a fire that started because he hadn’t properly tightened a propane fitting when he switched tanks. The manuscript was gone.
The characters still lived on in my dreams and daydreams. I got a laptop that was compatible with our 12-volt home-generated power, and started reconstructing the early chapters of the story. It was better than ever, more cohesive. Rewrites with a word processor were so easy…. The drive crashed. Some of my backup disks were defective when I tried to put the data onto a new drive. I started reconstructing once again.
Eventually, we moved onto the electrical grid and obtained a desktop computer, but I kept using the laptop for my writing. Finally, that old laptop, which I called Schpeedy Trackbawl because it required a steady supply of alcohol swabs to keep the trackball rolling, quit one last time. It had been obsolete when we bought it and we’d given it every possible memory upgrade. It’s a doorstop, my set of data disks is incomplete, and they are incompatible with this system I’m using now.
The story goes on in my head, but I’m less interested than ever in trying to bring it to a fitting end, write it all down and submit it for publication. Most of my writing in the past six or seven years has been on my memoirs. I have told a few people that I will finish them and turn them into a book, and that is my intention. However, it is more important to me to get it written than to see it in print. Posting on the web is publishing, as far as I’m concerned, and I have been serially publishing my memoirs since I started writing them on Xanga six years ago.
It’s quite obvious to me that the story that was to have been the novel exists somewhere on the mental plane. I dream it occasionally, and at odd moments the characters pop into my mind to tell me what they’ve been up to. Another thing that is obvious to me is that I don’t want to get it all written down badly enough to keep fighting burglars, accidental or deliberate book-burnings, computer crashes, etc., to make that happen. The Universe is not cooperating in that effort.
The memoirs may or may not become a book on paper someday. That has a higher degree of probability than my new age flying saucer serial killer thriller ever being finished and published, or my putting together a real wilderness healing center. Telling the story of my life is important to me. That’s why I wrote this story of my unfinished novel: it’s part of my memoirs.
Think of me as a street performer,
a storyteller with a battered old hat at my feet.
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drop a little something in my purple PayPal hat below.
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