I spent the weekend in Wasilla. On the drive into town Saturday morning, I was listening to "Bob": KBBO, the station that plays, "the eighties, the nineties and whatever." My car's FM has been tuned to that station for a while, for a couple of reasons. Doug switches over there when he's in the car because he doesn't like the smooth jazz I usually listen to, and the smooth jazz station tends to stick to a small playlist so long that I get tired of hearing some of the tunes, so the last time Doug tuned out the jazz I left the tuner where he put it.
I was coming over the hills approaching Houston, with a wide-open view of the Chugach Mountains ahead, and could see across the Matanuska-Susitna and Knik flats all the way to the smudge on the horizon that indicated Anchorage, when a song came on that caught my attention. I had never heard it before. The singer's voice was familiar but I didn't place it. The lyrics evoked feelings that took me back to those three months in the summer of '69 when I was shooting a lot of meth into my veins.
Frankly, it is that evocative power that music has that has impelled me to listen mostly to emotionally neutral smooth jazz in the car and NPR talk at home. I'm not into the nostalgia that draws many of my contemporaries, including my husband, Greyfox, to the oldies. I'm also not into the anger and despair that infuses much of modern music. What I am is aware of the power that music has over me, and somewhat cautious in how I open myself up to it.
But when I heard Tom Petty's haunting voice singing those words I have said myself many times, "coming down is the hardest thing," I was a goner. My needle tracks itched and my teeth ached. I wondered for a brief moment how hard it would be to get a fix. Then I remembered how much harder still it would be to come down, and I sublimated. None of this, at the time, was conscious. The return to reality from meth cravings, and the sublimation of those cravings, is a conditioned response at this stage of my life, a survival reflex.
Started out all alone
And the sun went down as I crossed the hill
And the town lit up, the world got still
I'm learning to fly, but I ain't got wings
Coming down is the hardest thing
Well the good ol' days may not return
And the rocks might melt and the sea may burn
I'm learning to fly, but I ain't got wings
Coming down is the hardest thing
Well some say life will beat you down
Break your heart, steal your crown
So I've started out, for God knows where
I guess I'll know when I get there
I'm learning to fly, around the clouds,
But what goes up must come down
I'm learning to fly, but I ain't got wings
Coming down is the hardest thing
song, told me the title, and googled it to get the artist's name.
I pulled boxes and bags out of my car and piled them up around the tables that Greyfox had set up for my little flea market, then drove down to his cabin and took out the things I'd previously stowed in the tiny "storage cabin" behind his cabin. (It used to be a child's playhouse until the landlord decided it could be put to better use for storage.) When I shut off Streak Subaru and his radio, I felt the urge, the drive, for music. I asked Greyfox if he had a battery powered boom box with batteries.
The answer was no, but he came up with a tiny FM radio and a set of earbuds. The clip was broken off the back, so I taped it to my wrist with masking tape, and listened to Bob the rest of the day. I did, briefly, once, while sitting on my rear bumper sheltering under my open hatch from the rain, think how odd it was for me to be so avid for music at that time. I used to carry tunes with me wherever I went, and leave my radio on at home when I was gone so that it would be there when I came back. That was decades ago, though, and such has not been my habit for a very long time.
I never got everything unloaded or unpacked, on account of the rain that started shortly after I got back with the second load of goods. I cut a couple of wide strips off a big roll of poly sheeting and covered the tables and the exposed boxes, and waited contentedly, hovering around the back of my car, swaying and occasionally stepping a little or bobbing to the rhythm as I cleaned and priced some toys that hadn't been dealt with since they came out of the dumpster. My only sale all day -- all weekend -- was a dollar Greyfox collected for a coil of electrical wire while I was at his place getting the second load of junk.
It wasn't a hard rain, just a soft unceasing soaker. My shirt and jeans were uniformly damp by the time I decided to sit in the car out of the rain. The drip that escapes the weatherstripping over my window soaked the left leg of my jeans, and I got back out into the mist. I was enjoying myself, enjoying the day, enjoying the music. When Greyfox decided to pack up his stand and get out of the wet, I started stuffing things back into Streak. I wasn't able to get both loads of junk in the car at once, so some of it went on the roof rack for the short ride back to Greyfox's cabin from the more accessible spot near the other end of the strip where he does business.
He asked me,. "What's the plan?" As usual, I had no plan. We both were tired, damp and slightly chilled. He had rented a DVD of Richard III, and we decided to watch it after dinner. After some discussion we agreed that pizza would be nice, but Greyfox wasn't really into that idea until I assured him that I'd go get the pizza and he could have one with thin crust and would not be forced to eat the puffy kind that I prefer. He directed me to the neighborhood pizza parlor, which I hadn't known was there.
As I waited for the pizza to bake, I sat at a table in the fragrant warmth of the pizza parlor and read some from my current paperback-in-progress. In it, during the course of investigating some serial murders, Detective Lucas Davenport is compiling his list of the 100 greatest tunes of the rock era. He has an intriguing premise that excludes the Beatles entirely from the list, which I'm sure I'm going to have to blog about eventually, but for now I'm just bringing it up because the theme meshed with the music on my mind last Saturday. It lit up, stood out, and took on deep significance for me.
When I stepped into Greyfox's cabin with the pizza box, he said to me, "Since you are in the mood for music, there's a three-hour concert coming on TV that you might enjoy watching." The TV was on, and at that moment the opening credits for Live Earth were rolling. I still hadn't made the connection, consciously. It wasn't until a bit later, during a commercial break, that it hit me.
Some people have told me that I live a "charmed life." Other people would undoubtedly say that was nonsense and that this was all coincidence. I don't believe in coincidence. My reality runs on synchronicity. Major disasters anywhere in the world and international incidents at a great distance arouse uneasiness in me at an unconscious level. I also pick up on small celebrations and other people's troubles closer to home and often don't realize the source of my odd feelings until after the fact. I'm used to it. When I finally realized that there was a sizable crowd scattered around the whole world that was "into" music all day, it made sense that I would have been into it too. That I would walk up onto Greyfox's porch with a pizza at the very moment that the concert began -- well, that's just the way it works in my synchronistic reality.
The music itself was superb. Knowing that the message of individual responsibility for curtailing catastrophic climate change was getting out in such a forceful way, added to my enjoyment. Sharing in such a huge global event undoubtedly also enhanced my enjoyment. I truly did enjoy every minute of it. Those three hours passed so quickly for Greyfox and me that we both were incredulous when it was over. The high spot for me was Roger Waters and the chorus of children doing "Another Brick in the Wall." The brief sampler of Yellow Magic Orchestra intrigued me and sent me in quest of more of their music. Nunatak, the band whose members are climate researchers in Antarctica, might not have been the most musically exciting performance, but watching them was a thrill, out there on the snow in the low-angle light of Antarctic winter, as Greyfox and I remarked on how grateful and relieved they must have been when the song was over and they could put on their gloves and go back inside.
It was amusing but not funny, watching as Cameron Diaz wiped her nose repeatedly with her index finger and motor-mouthed on and on about how someone who scorned the whole idea of global warming and the Live Earth concert had aroused feelings of hate in her, and then later in her ramble, between subsequent nose wipes, how terrible and bad people who hate are.... As I said, amusing but not funny. The only things Greyfox and I found to criticize about the production was the relative paucity and superficiality of the handy hints for saving energy and reducing greenhouse gases, and the repeated injunction to "Save the Earth."
Greyfox pointed out that if our species would die off, the planet would keep turning and a biosphere of some sort would assert itself in the absence of our interference. "Save our species" would be a more accurate and less hypocritical slogan, but not so sexily appealing, I suppose. The pig balloon floating around during Roger Waters's turn, had "Save our Sausages" lettered on its side. Save our something or other, fershure. It is about time.
Now that I'm home, with no intentions or plans other than to catch up on lost sleep and let this fatigue wear off, I'll be blogging regularly, or irregularly. With me, you never know because I never know. Whatever....
I picked up some quotes out of a book Greyfox had in his car, while I waited for him to run some errands in town. The book was Stephen Gaskin's This Season's People.
Suzuki Roshi
They have obviously been to the same territory There are certain realms of the mind that, if man ventures into them, it changes him and he comes back different.
. . .
If people never get above the signal level of communication, and don't become telepathic, they haven't explored their full human birthright. Telepathy is a high and Holy thing.





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