Reality is what you can get away with.
The night before last, I had a nightmare. I haven’t had many nighmares recently. I remember one other during the year and a half or so that I’ve been blogging. In some periods of my life, there were frequent nightmares. The nightmare-rich periods tended to come at the ends of traumatic periods. This would makes sense, in a Jungian sense, with the dreams serving to help me process the trauma.
That nighmare the other night bothered me, puzzled me because I didn’t know what it meant, had a helluva time interpreting it. All day yesterday, as I worked, I kept going over it in my mind. In the dream, I received something in the mail, anonymously. My “mother” (not in any way resembling my late real-life mother, but just a generic dream-mother, a woman I knew in the dream to be my mother) handed me the package and I opened it.
Inside was a can resembling in size and coloration a Foster’s beer can. If it had an actual label, I didn’t make it out. I recall the shape of a closed cylinder and some blue. I opened it with a “church key” punch-type can opener. As soon as I opened it, it started doing something clearly impossible. The damned thing was sucking and blowing at the same time, from the same hole. It sucked in my hair and wouldn’t let go, while it was spewing out some noxious fumes. It turned cold in my hands the way a compressed air can does as it releases its pressure. The cold “burned” my fingers. I was screaming and trying to get free from the thing.
The setting of the dream was “home”, not mine but mine-in-the-dream. It was warm and warmly lit (nighttime outside), cleaner, less cluttered and more neatly arranged than real home now. In addition to my “mother” there were children around, inside and out, going in and out, noisy and playful. As the can I’d opened spewed its poisonous gas, everyone was shrieking. Eventually, the can ran out of *whatever*, released my hair and I threw it down. I looked down at my hands, and saw that my fingertips were “frozen” blue and shriveled. I started to show it to someone, but there was no one there. Did the poison gas kill everyone but me; did they all escape? I don’t know… it’s a dream, dammit!
The last part of the dream I remember was looking up from my blue and shriveled fingertips and seeing, outside a door or the window in a door, four dogs, sitting side-by-side, looking in with expressions of benign concern. Soulful brown dog eyes and sagging jowls, oddly comforting.
As I said, I thought about this, and talked about it to Greyfox and Doug, off and on all day yesterday. Last night, as I sat in bed and the two of them were mildly contending over who would use the computer before Greyfox gave up and came to bed, I talked it all out with them and they offered their guesses as to where it was all coming from. None of us came up with any guesses that rang true for me. Greyfox crawled in bed, Koji jumped up and found a spot near our feet to make himself comfortable, and I slept. About five this morning, as Doug was going down and Greyfox getting up to get some time on the computer, I ate a little blood-sugar-boosting snack and settled back down for more sleep.
About four hours later, I woke and said to Greyfox, “I just had an interesting dream.” This time, I was a patient in a hospital. Doug was there, too. We had been in an accident of some sort, unspecified. Many of my dreams are set in hospitals, as I have worked in several and been a patient in several others. This hospital was also being used as the set for a soap opera. My life has been a soap opera. But I digress….
The dream was very confused, with “reality” and “fiction” blending. One of the actresses in the soap opera (or the character she played) had a head injury that severely affected her personality and behavior. Then she had surgery and got “better” although weaker, looked like hell, etc., following the surgery. She was getting a lot of fan mail full of sympathy for “her” injury, etc., even though it was all part of the act.
This dream was chock-full of meaningful symbolic imagery and much of it made perfect sense to me in its nonsensicality. There was a part of the “set” where they had needed to make modifications to install some new hospital equipment, a scanner of some sort. The door of a toilet stall had to be permanently blocked open, and a pass-through window between the scanner room and the nurse’s station opened right over the toilet. Anyone sitting on the toilet was likely to be interrupted by the scanner tech leaning over his or her lap to stick his head through the window to talk to the clerk in the nurses’ station.
At one point, sitting in the scanner room waiting my turn, the actress/patient with the real-or-fictional head injury was waiting there, too, and a group of nurses and other patients gathered around her to discuss her condition and the delusional fan mail, etc. She was both ill and acting and the paradoxical situation was overt and under open discussion.
In another part of the dream, I had been instructed to make a phone call to inform someone of the death of someone close to him, but was told to wait a specified time. Due to both a mixup with those who gave me my instructions and the unavailability of a phone at the specified time, I made the call early, before the death I was supposed to be announcing. Paradox, time travel, remembering the future and the far past far better than I recall recent events–these are all recurrent themes in MY real life as well as in my dreams and my favorite fiction.
Doug and I were due to be released from the hospital and had nowhere to go. I phoned my ex, Doug’s dad, and he came to the hospital. Only, it wasn’t really him, not the xenophobic, homophobic man I know and love. He looked pretty much the same except for his style of dress, but his voice was entirely different, and his mannerisms. Another departure from the usual for him was the pretty young male hispanic lover whose hand he was holding the whole time as he explained that they, too, were homeless at the time and couldn’t offer any shelter to Doug and me when we got out of the hospital.
There was more detail, none of which will have any significance to anyone, beyond entertainment. It was all quite entertaining, and as I went over it in my mind, sitting there in bed drinking the coffee that Greyfox graciously provided, I was no longer puzzled or troubled by the previous night’s dream. I said as much to Greyfox, talked a bit about the way that reality, fantasy, imagination and fiction blended together, both in the dreamworld and in reality, and went on to say, “Reality is what you can get away with.”
He recognized the quote from Robert Anton Wilson (a book title, actually), and we talked a bit about whether he’s still alive or not. I guess he is. At least I haven’t heard any rumors of his death since I saw his obituary in either People or Time Magazine about ten years ago. I mourned him, and several times over the years had thoughts I would have written to him to share had I known he was still alive, before learning last year that he was indeed alive and that the obituary I’d seen was in error. Of all people to be falsely reported to have died, RAW is one of the best. He’d surely understand what I mean by that, even if no one else does.
I needed last night’s dreamworld refresher course on the malleability of reality. The irony of it is that I live and work every day in some strange and flexible realities. The shamanic/psychic work that Greyfox and I do is entirely unreal to many people, just as their beliefs are fantastical and unreal to me. I get away with telling people their deepest secrets, things they’d just as soon forget, and often have “forgotten” until I rub their faces in them and puncture their denial. Greyfox and I regularly delight in setting off little depth charges in people’s reality tunnels (a concept I learned from RAW) to let in some bits of other realities. We are currently doing that in one of our 12-step groups, and due to the anonymity-factor involved we can’t even let those we are thus helping to free themselves from their limiting beliefs know that their joyous and funny benefactors are in fact a shaman and a psychic in ”real” life.
Maybe it’s ironic that after the later dream the earlier one became clear. The essential clue, I think, is that “Foster’s” can. Greyfox’s last binge (not to be confused with Greyfox’s Last Stand) started with a can of Foster’s given to him by another denizen of Felony Flats. It started a chain of events that has sucked me in, threatens to usurp a great deal of my time and energy, could possibly change the world (if one is to believe the shaman’s grandiose visions), and is currently taxing my HTML skills and creative talent. Where the dogs come into it, I still don’t know. Even if they’re only window dressing (and they were sitting in a window), what better decoration might there be?